{"title":"Week 01","description":null,"products":[{"product_id":"kodak-alaris-portra-160","title":"Kodak Portra 160","description":"\u003cp\u003eThe clue is in the name: Portra. Kodak Portra 160 is the go-to film stock for portraiture. But thinking of it only as a portrait film is selling it short.\u003c\/p\u003e\n\u003cp\u003eIt's among the best films to put in your camera and take a variety of different images: people, landscapes, still life and architecture are all appropriate subjects. It is a great all-rounder.\u003c\/p\u003e\n\u003cp\u003eIt's a lower saturation film, which is why it's good for skin tones. But this also works for architecture, where it renders colours with a pastel-like quality that can look almost monochromatic in low light. It's not a great low light film at ISO 160, but on a tripod these images become possible. It has fine grain, low contrast and is daylight-balanced. It's also forgiving of exposure mistakes — overexpose by a stop or two and the image still holds together.\u003c\/p\u003e\n\u003cp\u003eThe Kodak Portra family was introduced in 1998 but its lineage goes back to the Vericolor range introduced in 1971. It was reformulated as Portra in two lines: natural colour (NC) and vivid colour (VC) before being consolidated into one line in 2010\/11. It is still made by Eastman Kodak to this day and is identical to Ektacolor Pro 160 in all but branding.\u003c\/p\u003e\n\u003cp\u003eIf you want one film for a daytrip or weekend away and have enough light, Portra 160 should be near the top of your list. If light is an issue and you want everything Portra offers, then consider the 400 and 800 ISO options.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709145043132,"sku":"A-P160-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46709145075900,"sku":"A-P160-35-5","price":210.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709145108668,"sku":"A-P160-120-1","price":42.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-portra-160-35mm-36exp_cf5adf4c-9902-4172-8720-1efb0bf1e9a0.png?v=1778492493"},{"product_id":"kodak-alaris-portra-400","title":"Kodak Portra 400","description":"\u003cp\u003eKodak Portra 400 might be the most versatile of the Portra range simply because it sits between the 160 and 800. If you're not sure what kind of light you'll be dealing with, it's a safe bet. It can comfortably be pushed or pulled 1-2 stops which gives you flexibility if you need it. Indoors or outdoors Portra 400 shines.\u003c\/p\u003e\n\u003cp\u003eIts lineage goes back to Kodak's Vericolor line from the 1970s. When Kodak released this emulsion in 1998 it had a specific target market: weddings and portraiture. It renders all skin tones naturally and became the go-to film for photographers shooting people. If you're a photographer looking for natural colour, fine grain and less saturated film, the Portra line is an easy choice.\u003c\/p\u003e\n\u003cp\u003eIt's a great film to pack for a weekend away if you're not quite sure what you'll shoot. It's versatile. It's not just a film for shooting people.\u003c\/p\u003e\n\u003cp\u003ePortra 400 is also available as Ektacolor Pro 400. Exactly the same film, just rebranded. If you're likely to be shooting with plenty of available light Portra 160 is a good option. If light is limited or you want a bit more pop in your colours, consider Portra 800.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709145305276,"sku":"A-P400-35-1","price":47.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46709145338044,"sku":"A-P400-35-5","price":220.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709145370812,"sku":"A-P400-120-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709145403580,"sku":"A-P400-120-5","price":210.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-portra-400-35mm-36exp-canister_17a90f66-38f0-461b-96c2-e038bad93234.png?v=1778492495"},{"product_id":"kodak-alaris-portra-800","title":"Kodak Portra 800","description":"\u003cp\u003ePortra 800 is the low light superstar of the Portra range. It maintains the natural colour of its siblings without the pronounced grain you might expect in faster films. It's not the first choice in the line in daylight if you want shallow depth of field, but it does handle underexposure well and can be pushed or pulled comfortably.\u003c\/p\u003e\n\u003cp\u003eIts lineage traces back to the 1970s from Kodak's Vericolor range which was reformulated Portra in 1998. Unlike 400 and 160 which were updated in 2010 and 2011 respectively, Portra 800 remains unchanged almost 30 years later. The difference is the colours shot with 800 tend to have a little more pop. Skin tones are still natural and it is still daylight balanced, but the colours have more depth.\u003c\/p\u003e\n\u003cp\u003eIt's an excellent all-rounder. People, product, landscapes, architecture and still life images are all well-suited to Portra 800.\u003c\/p\u003e\n\u003cp\u003ePortra 800 is also available as Ektacolor Pro 800. It's exactly the same film, just rebranded. Both are made by Eastman Kodak. If you are shooting in daylight consider the 160 and 400 variants. If you're working with limited light, shooting with a deep depth of field or are comfortable underexposing then 800 is a great choice if you want subtle but noticeable pop in colour.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709145600188,"sku":"A-P800-35-1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709145632956,"sku":"A-P800-120-1","price":55.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709145665724,"sku":"A-P800-120-5","price":255.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-portra-800-35mm-36exp_28d5f6ab-7f95-4015-8a70-ed5295270ee3.png?v=1778492498"},{"product_id":"kodak-eastman-ektacolor-pro-160","title":"Kodak Ektacolor Pro 160","description":"\u003cp\u003eEktacolor Pro 160 is the go-to film stock for portraiture. But thinking of it only as a portrait film is selling it short. It's among the best films to put in your camera and take a variety of different images: people, landscapes, still life and architecture are all appropriate subjects. It is a great all-rounder.\u003c\/p\u003e\n\u003cp\u003eIt's a lower saturation film which is why it's good for skin tones. But this also works for architecture, where it renders colours with a pastel-like quality that can look almost monochromatic in low light. It's not a great low light film at ISO 160, but on a tripod these images become possible. It has fine grain, low contrast and is daylight-balanced, meaning it won't look too warm or too cool when processed.\u003c\/p\u003e\n\u003cp\u003eThe Ektacolor Pro lineage goes back to the Vericolor range introduced in 1971. The emulsion was reformulated in two lines: natural colour (NC) and vivid colour (VC) before being consolidated into one line in 2010\/11. This is the same emulsion as Portra 160, sold under the Ektacolor Pro name by Eastman Kodak.\u003c\/p\u003e\n\u003cp\u003eIf you want one film for a daytrip or weekend away and have enough light, Ektacolor Pro 160 should be near the top of your list. If light is an issue and you want everything it offers then consider the 400 and 800 ISO options.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709145960636,"sku":"E-EP160-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709145993404,"sku":"E-EP160-120-1","price":42.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146026172,"sku":"E-EP160-120-5","price":195.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektacolor-pro-160-35mm-36exp_34ec822b-0f54-4de6-8871-8bec9c36eda1.png?v=1778492502"},{"product_id":"kodak-eastman-ektacolor-pro-400","title":"Kodak Ektacolor Pro 400","description":"\u003cp\u003eKodak Ektacolor Pro 400 might be the most versatile of the Ektacolor Pro range simply because it sits between the 160 and 800. If you're not sure what kind of light you'll be dealing with, it's a safe bet. It can comfortably be pushed or pulled 1-2 stops which gives you flexibility if you need it. Indoors or outdoors Ektacolor Pro 400 shines.\u003c\/p\u003e\n\u003cp\u003eIts lineage goes back to Kodak's Vericolor line from the 1970s. When this emulsion was released in 1998 it had a specific target market: weddings and portraiture. It renders all skin tones naturally and became the go-to film for photographers shooting people. If you're a photographer looking for natural colour, fine grain and less saturated film, the Ektacolor Pro line is an easy choice.\u003c\/p\u003e\n\u003cp\u003eIt's a great film to pack for a weekend away if you're not quite sure what you'll shoot. It's versatile. It's not just a film for shooting people.\u003c\/p\u003e\n\u003cp\u003eThis is the same emulsion as Portra 400, sold under the Ektacolor Pro name by Eastman Kodak. If you're likely to be shooting with plenty of available light Ektacolor Pro 160 is a good option. If light is limited or you want a bit more pop in your colours, consider Ektacolor Pro 800.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709146190012,"sku":"E-EP400-35-1","price":47.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46709146222780,"sku":"E-EP400-35-5","price":220.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709146255548,"sku":"E-EP400-120-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146288316,"sku":"E-EP400-120-5","price":210.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektacolor-pro-400-35mm-36exp_02e19914-aac2-420e-a502-57f33961f808.png?v=1778492504"},{"product_id":"kodak-eastman-ektacolor-pro-800","title":"Kodak Ektacolor Pro 800","description":"\u003cp\u003eEktacolor Pro 800 is the low light superstar of the Ektacolor range. It maintains the natural colour of its siblings without the pronounced grain you might expect in faster films. It's not the first choice in the line in daylight if you want shallow depth of field, but it does handle underexposure well and can be pushed or pulled comfortably.\u003c\/p\u003e\n\u003cp\u003eIts lineage traces back to the 1970s from Kodak's Vericolor range which was reformulated Portra in 1998. Unlike 400 and 160 which were updated in 2010 and 2011 respectively, Portra 800 remains unchanged almost 30 years later. The difference is the colours shot with 800 tend to have a little more pop. Skin tones are still natural and it is still daylight balanced, but the colours have more depth.\u003c\/p\u003e\n\u003cp\u003eIt's an excellent all-rounder. People, product, landscapes, architecture and still life images are all well-suited to Portra 800.\u003c\/p\u003e\n\u003cp\u003ePortra 800 is also available as Ektacolor Pro 800. It's exactly the same film, just rebranded. Both are made by Eastman Kodak. If you are shooting in daylight consider the 160 and 400 variants. If you're working with limited light, shooting with a deep depth of field or are comfortable underexposing then 800 is a great choice if you want subtle but noticeable pop in colour.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709146615996,"sku":"E-EP800-35-1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709146648764,"sku":"E-EP800-120-1","price":55.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146681532,"sku":"E-EP800-120-5","price":255.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektacolor-pro-800-35mm-36exp_8b85b031-9b25-4942-96c9-679a8fb067a0.png?v=1778492507"},{"product_id":"kodak-eastman-gold-200","title":"Kodak Gold 200","description":"\u003cp\u003eKodak Gold might be the most iconic film stock ever released. It was released in 1986 and quickly became ubiquitous — the box was everywhere. It is still the staple of Kodak’s consumer line of films and there are good reasons for that. It’s a great film for people learning to shoot film because it’s very forgiving when under or over exposed. It’s also versatile — a roll can be thrown into a bag knowing that it can be used pretty much anywhere and get good results. A cafe, the beach, the mountains, the backyard, the city streets — all of these scenes lend themselves well to Kodak Gold 200.\u003c\/p\u003e\n\u003cp\u003eIt is daylight balanced so it’s not yellow or blue, but it does tend to register as a warm stock. Reds and yellows in particular are pleasing.\u003c\/p\u003e\n\u003cp\u003eWhile it may be a great film for beginners that doesn’t mean more seasoned photographers should sleep on it. Its versatility and latitude make it a very fun film to shoot with. If you fancy just going out and having some fun without fussing over exposure with a light meter Kodak Gold 200 is an obvious choice. It’s not as advanced as the professional-grade films in Kodak’s line, but that doesn’t mean the results won’t look professional. Its pleasing grain, contrast and colour balance make it a great film to have a couple of rolls handy.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709146845372,"sku":"E-G200-35-1","price":35.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 3-pack","offer_id":46709146878140,"sku":"E-G200-35-3","price":95.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709146910908,"sku":"E-G200-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146943676,"sku":"E-G200-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-gold-200-35mm-36exp_f022a02e-7d18-4335-ba86-6f279f4483ea.png?v=1778492510"},{"product_id":"kodak-eastman-ultramax-400","title":"Kodak UltraMax 400","description":"\u003cp\u003eKodak UltraMax 400 is an all-rounder. It’s a wonderful film to take on holidays. It’s good outdoors or indoors and can handle images that are over or under exposed. Under exposure is less forgiving, but for a film where you don’t want to fuss over exposure in social gatherings this is a solid choice.\u003c\/p\u003e\n\u003cp\u003eWhat makes it a good holiday film is how well it does when shooting different subjects — people, buildings, landscapes — it captures them all faithfully. The contrast is crisp, the colours warmish, but this is a daylight balanced film. It’s this balance that makes it a good film for portraiture, architecture and nature.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a strong lineage. Kodacolor VR-G 400 was first released in 1986 rebranded as Kodacolor Gold 400 then as Kodak Gold 400 and has been known as UltraMax since about 2007. It has the same T-GRAIN emulsion technology as Kodak T-Max — the result is grain that is almost identical to its slower sibling — Kodak Gold 200. Genuinely impressive.\u003c\/p\u003e\n\u003cp\u003eWhether you’re a beginner or seasoned photographer, UltraMax deserves its place in your fridge — one day you might want to shoot a roll without fussing over which roll to take around town. UltraMax could be that film.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147173052,"sku":"E-UM400-35-1","price":37.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 3-pack","offer_id":46709147205820,"sku":"E-UM400-35-3","price":99.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ultramax-400-35mm-36exp_e6b49e68-fdf3-40b4-9bb5-ba3185dbf4a4.png?v=1778492512"},{"product_id":"kodak-alaris-tri-x-400","title":"Kodak Tri-X 400","description":"\u003cp\u003eThere are icons. And then there are icons. Tri-X is an iconic film stock. Photo-journalists and street photographers often favoured Kodak Tri-X 400 for its character — grain, contrast and latitude were all characteristics that photographers could rely on. Many iconic images were captured with Tri-X. Many iconic names shot Tri-X: Henri Cartier-Bresson, Robert Frank, Garry Winogrand, Don McCullin and Sebastião Salgado are just a few.\u003c\/p\u003e\n\u003cp\u003eWith that history it’s no surprise that Tri-X has been around in some form since 1940 — first as sheet film and later in 35mm and 120 formats. In 2007 it was refined with finer grain and smoother tonal transitions but maintaining the classic, unmistakable Tri-X character. Tri-X is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eLike most black and white film it's versatile — architecture, portraiture, abstract and landscape photography are all good choices when you have a roll of Tri-X in your camera. But if you're walking around  a city with one roll of black and white, this is the roll.\u003c\/p\u003e\n\u003cp\u003eMost photographers come to Tri-X eventually. It might not be your first roll of black and white — but once you try it, you'll understand why it's endured for over 80 years.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709147336892,"sku":"A-TX400-35-1","price":33.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147369660,"sku":"A-TX400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147402428,"sku":"A-TX400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-trix-400-35mm-36exp.png?v=1778491372"},{"product_id":"kodak-eastman-tri-x-400","title":"Kodak Tri-X 400","description":"\u003cp\u003eThere are icons. And then there are icons. Tri-X is an iconic film stock. Photo-journalists and street photographers often favoured Kodak Tri-X 400 for its character — grain, contrast and latitude were all characteristics that photographers could rely on. Many iconic images were captured with Tri-X. Many iconic names shot Tri-X: Henri Cartier-Bresson, Robert Frank, Garry Winogrand, Don McCullin and Sebastião Salgado are just a few.\u003c\/p\u003e\n\u003cp\u003eWith that history it’s no surprise that Tri-X has been around in some form since 1940 — first as sheet film and later in 35mm and 120 formats. In 2007 it was refined with finer grain and smoother tonal transitions but maintaining the classic, unmistakable Tri-X character. Tri-X is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eLike most black and white film it's versatile — architecture, portraiture, abstract and landscape photography are all good choices when you have a roll of Tri-X in your camera. But if you're walking around  a city with one roll of black and white, this is the roll.\u003c\/p\u003e\n\u003cp\u003eMost photographers come to Tri-X eventually. It might not be your first roll of black and white — but once you try it, you'll understand why it's endured for over 80 years.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147533500,"sku":"E-TX400-35-1","price":33.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709147566268,"sku":"E-TX400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147599036,"sku":"E-TX400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-tri-x-400-35mm-36exp_7227c828-623d-40bc-8e59-97a45e4a71a3.png?v=1778492515"},{"product_id":"kodak-alaris-t-max-100","title":"Kodak T-Max 100","description":"\u003cp\u003eIn 1986 Kodak did something remarkable. It released a new kind of film where the crystals lay flat against the film. It’s hard to think of film as a three-dimensional object, but it is. And what Kodak managed to do was produce a series of films that were very sharp with very fine grain. T-Max 100 was one of these films — and the technology was called T-Grain.\u003c\/p\u003e\n\u003cp\u003eWhat does this mean for photographers? Sharp, clean black and white images with almost invisible grain. If you're shooting architecture, landscapes or studio portraits where detail matters, T-Max 100 is built for that.\u003c\/p\u003e\n\u003cp\u003eIt's not a fast film. At ISO 100 you need good light or a tripod. But what you get in return is tonal range — Kodak publishes push processing tables up to three stops so you can rate it higher if the light drops. The latitude is forgiving too, particularly if you overexpose. It rewards careful metering but doesn't punish you for getting it slightly wrong.\u003c\/p\u003e\n\u003cp\u003eWhere Tri-X gives you grit and character, T-Max 100 gives you precision. Most photographers end up with both in the fridge. T-Max 100 is also available as Ektapan 100 from Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709147730108,"sku":"A-TM100-35-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147762876,"sku":"A-TM100-120-1","price":28.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147795644,"sku":"A-TM100-120-5","price":130.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-tmax-100-35mm-36exp.png?v=1778491372"},{"product_id":"kodak-eastman-ektapan-100","title":"Kodak Ektapan 100","description":"\u003cp\u003eIn 1986 Kodak did something remarkable. It released a new kind of film where the crystals lay flat against the film. It's hard to think of film as a three-dimensional object, but it is. And what Kodak managed to do was produce a series of films that were very sharp with very fine grain. Ektapan 100 is one of these films — and the technology was called T-Grain.\u003c\/p\u003e\n\u003cp\u003eWhat does this mean for photographers? Sharp, clean black and white images with almost invisible grain. If you're shooting architecture, landscapes or studio portraits where detail matters, Ektapan 100 is built for that.\u003c\/p\u003e\n\u003cp\u003eIt's not a fast film. At ISO 100 you need good light or a tripod. But what you get in return is tonal range — Kodak publishes push processing tables up to three stops so you can rate it higher if the light drops. The latitude is forgiving too, particularly if you overexpose. It rewards careful metering but doesn't punish you for getting it slightly wrong.\u003c\/p\u003e\n\u003cp\u003eWhere Tri-X gives you grit and character, Ektapan 100 gives you precision. Most photographers end up with both in the fridge. Ektapan 100 is available from both Kodak Alaris (as T-Max 100) and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147926716,"sku":"E-EPN100-35-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147959484,"sku":"E-EPN100-120-1","price":28.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147992252,"sku":"E-EPN100-120-5","price":130.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektapan-100-35mm-36exp_e9617875-8d15-4cc7-8071-e27d2a61cce1.png?v=1778492518"}],"url":"https:\/\/filmco.nz\/collections\/week-01.oembed","provider":"Nelson Film Co","version":"1.0","type":"link"}