{"title":"Film:Landscape","description":"","products":[{"product_id":"kodak-alaris-portra-160","title":"Kodak Portra 160","description":"\u003cp\u003eThe clue is in the name: Portra. Kodak Portra 160 is the go-to film stock for portraiture. But thinking of it only as a portrait film is selling it short.\u003c\/p\u003e\n\u003cp\u003eIt's among the best films to put in your camera and take a variety of different images: people, landscapes, still life and architecture are all appropriate subjects. It is a great all-rounder.\u003c\/p\u003e\n\u003cp\u003eIt's a lower saturation film, which is why it's good for skin tones. But this also works for architecture, where it renders colours with a pastel-like quality that can look almost monochromatic in low light. It's not a great low light film at ISO 160, but on a tripod these images become possible. It has fine grain, low contrast and is daylight-balanced. It's also forgiving of exposure mistakes — overexpose by a stop or two and the image still holds together.\u003c\/p\u003e\n\u003cp\u003eThe Kodak Portra family was introduced in 1998 but its lineage goes back to the Vericolor range introduced in 1971. It was reformulated as Portra in two lines: natural colour (NC) and vivid colour (VC) before being consolidated into one line in 2010\/11. It is still made by Eastman Kodak to this day and is identical to Ektacolor Pro 160 in all but branding.\u003c\/p\u003e\n\u003cp\u003eIf you want one film for a daytrip or weekend away and have enough light, Portra 160 should be near the top of your list. If light is an issue and you want everything Portra offers, then consider the 400 and 800 ISO options.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709145043132,"sku":"A-P160-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46709145075900,"sku":"A-P160-35-5","price":210.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709145108668,"sku":"A-P160-120-1","price":42.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-portra-160-35mm-36exp_cf5adf4c-9902-4172-8720-1efb0bf1e9a0.png?v=1778492493"},{"product_id":"kodak-eastman-ektacolor-pro-160","title":"Kodak Ektacolor Pro 160","description":"\u003cp\u003eEktacolor Pro 160 is the go-to film stock for portraiture. But thinking of it only as a portrait film is selling it short. It's among the best films to put in your camera and take a variety of different images: people, landscapes, still life and architecture are all appropriate subjects. It is a great all-rounder.\u003c\/p\u003e\n\u003cp\u003eIt's a lower saturation film which is why it's good for skin tones. But this also works for architecture, where it renders colours with a pastel-like quality that can look almost monochromatic in low light. It's not a great low light film at ISO 160, but on a tripod these images become possible. It has fine grain, low contrast and is daylight-balanced, meaning it won't look too warm or too cool when processed.\u003c\/p\u003e\n\u003cp\u003eThe Ektacolor Pro lineage goes back to the Vericolor range introduced in 1971. The emulsion was reformulated in two lines: natural colour (NC) and vivid colour (VC) before being consolidated into one line in 2010\/11. This is the same emulsion as Portra 160, sold under the Ektacolor Pro name by Eastman Kodak.\u003c\/p\u003e\n\u003cp\u003eIf you want one film for a daytrip or weekend away and have enough light, Ektacolor Pro 160 should be near the top of your list. If light is an issue and you want everything it offers then consider the 400 and 800 ISO options.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709145960636,"sku":"E-EP160-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709145993404,"sku":"E-EP160-120-1","price":42.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146026172,"sku":"E-EP160-120-5","price":195.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektacolor-pro-160-35mm-36exp_34ec822b-0f54-4de6-8871-8bec9c36eda1.png?v=1778492502"},{"product_id":"kodak-eastman-ultramax-400","title":"Kodak UltraMax 400","description":"\u003cp\u003eKodak UltraMax 400 is an all-rounder. It’s a wonderful film to take on holidays. It’s good outdoors or indoors and can handle images that are over or under exposed. Under exposure is less forgiving, but for a film where you don’t want to fuss over exposure in social gatherings this is a solid choice.\u003c\/p\u003e\n\u003cp\u003eWhat makes it a good holiday film is how well it does when shooting different subjects — people, buildings, landscapes — it captures them all faithfully. The contrast is crisp, the colours warmish, but this is a daylight balanced film. It’s this balance that makes it a good film for portraiture, architecture and nature.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a strong lineage. Kodacolor VR-G 400 was first released in 1986 rebranded as Kodacolor Gold 400 then as Kodak Gold 400 and has been known as UltraMax since about 2007. It has the same T-GRAIN emulsion technology as Kodak T-Max — the result is grain that is almost identical to its slower sibling — Kodak Gold 200. Genuinely impressive.\u003c\/p\u003e\n\u003cp\u003eWhether you’re a beginner or seasoned photographer, UltraMax deserves its place in your fridge — one day you might want to shoot a roll without fussing over which roll to take around town. UltraMax could be that film.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147173052,"sku":"E-UM400-35-1","price":37.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 3-pack","offer_id":46709147205820,"sku":"E-UM400-35-3","price":99.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ultramax-400-35mm-36exp_e6b49e68-fdf3-40b4-9bb5-ba3185dbf4a4.png?v=1778492512"},{"product_id":"kodak-alaris-t-max-100","title":"Kodak T-Max 100","description":"\u003cp\u003eIn 1986 Kodak did something remarkable. It released a new kind of film where the crystals lay flat against the film. It’s hard to think of film as a three-dimensional object, but it is. And what Kodak managed to do was produce a series of films that were very sharp with very fine grain. T-Max 100 was one of these films — and the technology was called T-Grain.\u003c\/p\u003e\n\u003cp\u003eWhat does this mean for photographers? Sharp, clean black and white images with almost invisible grain. If you're shooting architecture, landscapes or studio portraits where detail matters, T-Max 100 is built for that.\u003c\/p\u003e\n\u003cp\u003eIt's not a fast film. At ISO 100 you need good light or a tripod. But what you get in return is tonal range — Kodak publishes push processing tables up to three stops so you can rate it higher if the light drops. The latitude is forgiving too, particularly if you overexpose. It rewards careful metering but doesn't punish you for getting it slightly wrong.\u003c\/p\u003e\n\u003cp\u003eWhere Tri-X gives you grit and character, T-Max 100 gives you precision. Most photographers end up with both in the fridge. T-Max 100 is also available as Ektapan 100 from Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709147730108,"sku":"A-TM100-35-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147762876,"sku":"A-TM100-120-1","price":28.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147795644,"sku":"A-TM100-120-5","price":130.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-tmax-100-35mm-36exp.png?v=1778491372"},{"product_id":"kodak-eastman-ektapan-100","title":"Kodak Ektapan 100","description":"\u003cp\u003eIn 1986 Kodak did something remarkable. It released a new kind of film where the crystals lay flat against the film. It's hard to think of film as a three-dimensional object, but it is. And what Kodak managed to do was produce a series of films that were very sharp with very fine grain. Ektapan 100 is one of these films — and the technology was called T-Grain.\u003c\/p\u003e\n\u003cp\u003eWhat does this mean for photographers? Sharp, clean black and white images with almost invisible grain. If you're shooting architecture, landscapes or studio portraits where detail matters, Ektapan 100 is built for that.\u003c\/p\u003e\n\u003cp\u003eIt's not a fast film. At ISO 100 you need good light or a tripod. But what you get in return is tonal range — Kodak publishes push processing tables up to three stops so you can rate it higher if the light drops. The latitude is forgiving too, particularly if you overexpose. It rewards careful metering but doesn't punish you for getting it slightly wrong.\u003c\/p\u003e\n\u003cp\u003eWhere Tri-X gives you grit and character, Ektapan 100 gives you precision. Most photographers end up with both in the fridge. Ektapan 100 is available from both Kodak Alaris (as T-Max 100) and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147926716,"sku":"E-EPN100-35-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147959484,"sku":"E-EPN100-120-1","price":28.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147992252,"sku":"E-EPN100-120-5","price":130.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektapan-100-35mm-36exp_e9617875-8d15-4cc7-8071-e27d2a61cce1.png?v=1778492518"},{"product_id":"kodak-alaris-ektar-100","title":"Kodak Ektar 100","description":"\u003cp\u003eKodak Ektar 100 is the colour negative film to reach for when you want the world to look a little bolder than it does in front of you. It is sharp, saturated and clean, with very fine grain and a crispness that suits landscapes, travel, architecture and still life. The Ektar name has been used by Kodak for decades, but the current 100-speed colour negative film was introduced in 2008.\u003c\/p\u003e\n\u003cp\u003eWhere Portra is gentle, Ektar has more bite. Blues are deeper, reds carry more weight and greens can feel almost chrome-like, which is why it is often compared with slide film.\u003c\/p\u003e\n\u003cp\u003eThat punch comes with a little less forgiveness. Ektar likes good light and careful metering. At ISO 100, it is not made for dim rooms or late evenings unless you have a tripod, but in bright daylight it can be exceptional. Expose it well and it rewards you with dense colour, smooth tonal transitions and a modern, almost glossy finish.\u003c\/p\u003e\n\u003cp\u003eIt is not the obvious choice for portraits. Skin tones can run warm or red if the light is unkind, though in the right conditions it can make people look vivid and cinematic.\u003c\/p\u003e\n\u003cp\u003eFor clear skies, road trips, sea views and saturated everyday colour, Ektar is hard to beat.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46732407865532,"sku":"A-EK100-35-1","price":47.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732407898300,"sku":"A-EK100-120-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46732407931068,"sku":"A-EK100-120-5","price":165.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-ektar-100-35mm-36exp.png?v=1779141237"},{"product_id":"kodak-eastman-ektar-100","title":"Kodak Ektar 100","description":"\u003cp\u003eKodak Ektar 100 is the colour negative film to reach for when you want the world to look a little bolder than it does in front of you. It is sharp, saturated and clean, with very fine grain and a crispness that suits landscapes, travel, architecture and still life. The Ektar name has been used by Kodak for decades, but the current 100-speed colour negative film was introduced in 2008. Ektar 100 is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eWhere Portra is gentle, Ektar has more bite. Blues are deeper, reds carry more weight and greens can feel almost chrome-like, which is why it is often compared with slide film.\u003c\/p\u003e\n\u003cp\u003eThat punch comes with a little less forgiveness. Ektar likes good light and careful metering. At ISO 100, it is not made for dim rooms or late evenings unless you have a tripod, but in bright daylight it can be exceptional. Expose it well and it rewards you with dense colour, smooth tonal transitions and a modern, almost glossy finish.\u003c\/p\u003e\n\u003cp\u003eIt is not the obvious choice for portraits. Skin tones can run warm or red if the light is unkind, though in the right conditions it can make people look vivid and cinematic.\u003c\/p\u003e\n\u003cp\u003eFor clear skies, road trips, sea views and saturated everyday colour, Ektar is hard to beat.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732407996604,"sku":"E-EK100-35-1","price":47.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektar-100-35mm-36exp.png?v=1779141197"},{"product_id":"kodak-alaris-ektachrome-e100","title":"Kodak Ektachrome E100","description":"\u003cp\u003eKodak Ektachrome E100 is film with very few peers. It’s a color-reversal (slide) film that is readily available. The once ubiquitous slide shows are a thing of the past for a variety of reasons, but the dwindling supply of reversal film is one of them.\u003c\/p\u003e\n\u003cp\u003eEktachrome almost had the same fate as some of its peers. Between 2009 and 2017 supply dwindled as its lines were discontinued. Then in 2017 Kodak rereleased it in 35mm and Super 8 formats followed by 120 and sheet film a few years later. What we get is a film that has no real competition.\u003c\/p\u003e\n\u003cp\u003eIt’s a wonderful landscape film. Lots of detail, sharp as a tack and very fine grain. It renders colours beautifully, but tastefully. Kodak says it’s daylight balanced but it does look coolish. Colours warm up if overexposed, but be careful — this is not a forgiving film. It can handle 1-2 stops of overexposure with highlights still visible, but three stops over is not advised. It’s even more punishing under-exposed. At one stop under the shadows are very dark.\u003c\/p\u003e\n\u003cp\u003eSome photographers find it a bit too cool and use a warming filter to bring it closer to neutral or slightly warm. This is a subjective choice and is not necessary if over-exposing one stop.\u003c\/p\u003e\n\u003cp\u003eIf you want a colour reversal film this is about the only choice available at the moment. Other manufacturers may release new films or increase production. But for now, we can be thankful to Kodak for not only providing this film, but making it one of the best they produce.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46732408389820,"sku":"A-EC100-35-1","price":70.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732408422588,"sku":"A-EC100-120-1","price":55.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46732408455356,"sku":"A-EC100-120-5","price":255.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-ektachrome-100-35mm-36exp_8832fdc5-49f9-4f65-ab7c-9ca212ba9ed8.png?v=1779101181"},{"product_id":"kodak-eastman-ektachrome-e100","title":"Kodak Ektachrome E100","description":"\u003cp\u003eKodak Ektachrome E100 is film with very few peers. It’s a color-reversal (slide) film that is readily available. The once ubiquitous slide shows are a thing of the past for a variety of reasons, but the dwindling supply of reversal film is one of them.\u003c\/p\u003e\n\u003cp\u003eEktachrome almost had the same fate as some of its peers. Between 2009 and 2017 supply dwindled as its lines were discontinued. Then in 2017 Kodak rereleased it in 35mm and Super 8 formats followed by 120 and sheet film a few years later. What we get is a film that has no real competition.\u003c\/p\u003e\n\u003cp\u003eIt’s a wonderful landscape film. Lots of detail, sharp as a tack and very fine grain. It renders colours beautifully, but tastefully. Kodak says it’s daylight balanced but it does look coolish. Colours warm up if overexposed, but be careful — this is not a forgiving film. It can handle 1-2 stops of overexposure with highlights still visible, but three stops over is not advised. It’s even more punishing under-exposed. At one stop under the shadows are very dark.\u003c\/p\u003e\n\u003cp\u003eSome photographers find it a bit too cool and use a warming filter to bring it closer to neutral or slightly warm. This is a subjective choice and is not necessary if over-exposing one stop.\u003c\/p\u003e\n\u003cp\u003eIf you want a colour reversal film this is about the only choice available at the moment. Ektachrome E100 is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732408488124,"sku":"E-EC100-35-1","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektachrome-100-35mm-36exp.png?v=1779098487"},{"product_id":"kodak-eastman-kodacolor-100","title":"Kodak Kodacolor 100","description":"\u003cp\u003eKodacolor 100 is Eastman Kodak's quiet return to the consumer colour line. Released in late 2025, it's the first new consumer colour negative they've put their name on in over a decade — and it slots neatly between the professional restraint of Portra 160 and the warmer pop of Gold 200.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, the grain is fine and contrast sits just on the gentle side of medium. Saturation is balanced which makes it a film that renders scenes honestly. Skin tones look natural, landscapes look like the landscape, and architecture keeps its real colour. It's daylight-balanced and rewards good light, but its latitude is forgiving when you don't quite nail the exposure.\u003c\/p\u003e\n\u003cp\u003eThis is a versatile film with broad use, not narrow specialty. A roll in your bag means you're ready for most things a daytrip or weekend can throw at you. The character is closer to Portra than Gold: restrained, even-handed, and natural, but at a friendlier price than the professional line.\u003c\/p\u003e\n\u003cp\u003eIt's not the film for low light without a tripod, and it won't deliver the saturated, almost-glossy colour Ektar 100 does. But if you want a single colour film that just gets out of the way and lets the scene speak for itself, Kodacolor 100 is a strong everyday choice.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732408520892,"sku":"E-KC100-35-1","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-kodacolor-100-35mm-36exp.png?v=1779195512"},{"product_id":"kodak-eastman-kodacolor-200","title":"Kodak Kodacolor 200","description":"\u003cp\u003eKodacolor 200 is the faster sibling in Eastman Kodak's revived Kodacolor line. Released alongside the 100 in late 2025, it gives you an extra stop of speed while keeping the same honest, balanced colour that makes the Kodacolors worth reaching for.\u003c\/p\u003e\n\u003cp\u003eAt ISO 200, the grain stays fine and contrast sits in the medium range; a step up from the 100's gentler rendering, which gives images a little more definition without pushing into punchy territory. Saturation is balanced and natural. This is a film that records the scene rather than interpreting it, and that restraint is its strength.\u003c\/p\u003e\n\u003cp\u003eThe extra stop of speed matters in practice. Where the 100 needs you to be in good light, the 200 gives you a bit more room. Overcast afternoons, open shade, the golden hour stretching a little longer before you're reaching for a faster film. Its latitude favours overexposure: a stop or two over and you're fine. Underexposure is less forgiving, so when in doubt, give it more light rather than less.\u003c\/p\u003e\n\u003cp\u003eIt's not the film for low light or indoor work, and if you want the warm, saturated look Kodak is known for, Gold 200 is the one. But if you want a reliable, even-handed colour film at a fair price that doesn't impose a look on your images, Kodacolor 200 does the job well.\u003c\/p\u003e\n\u003cp\u003eColorPlus 200 is the same emulsion under the Kodak Alaris name.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732408553660,"sku":"E-KC200-35-1","price":35.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-kodacolor-200-35mm-36exp_5205bb90-15c9-4c94-825c-3be0542cc3e6.png?v=1780136937"},{"product_id":"harman-red-125","title":"Harman Red 125","description":"\u003cp\u003eRedscale photography has been around for decades as a DIY technique — photographers would open a cassette in the dark and reload the film backwards so the light hits the red-sensitive layer first. Harman took that idea and made it into a production film. Red 125 is based on the Phoenix 200 emulsion and is only the second factory-made redscale film available, alongside Lomography's Redscale XR.\u003c\/p\u003e\n\u003cp\u003eThe results are unmistakable. Deep reds, burnt oranges and golden yellows replace the normal colour palette, and the look changes dramatically depending on exposure. Give it more light and the palette opens up with yellows and oranges coming through alongside the red. Less light and it deepens into rich, saturated reds. The contrast is high, the grain is textured, and there's halation in the highlights from the Phoenix base emulsion. It's a bold, graphic look.\u003c\/p\u003e\n\u003cp\u003eIt's a film for bright conditions. Landscapes at golden hour, street photography in hard light, architecture with strong shadows — anywhere with good light and strong shapes. It doesn't do subtle and it doesn't do low light. This is a film you reach for when you have a specific look in mind, not one you'd throw in for a day of general shooting.\u003c\/p\u003e\n\u003cp\u003eRed 125 divides opinion. Some photographers love the warmth and drama, others find it too much. But it's a film worth trying at least once — the results are unlike anything else in your fridge and you'll know immediately whether it's for you.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"35mm \/ Single","offer_id":46732408717500,"sku":"H-RED125-35-1","price":34.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732408750268,"sku":"H-RED125-120-1","price":28.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/harman-red-125-35mm-36exp_59d0fdd4-255d-4206-acd7-070381f34bc0.png?v=1780059764"},{"product_id":"harman-switch-azure-125","title":"Harman Switch Azure 125","description":"\u003cp\u003eThe \"Switch\" name suggests Harman has more experimental colour films planned, but for now Azure 125 is the first — and it's a strong start. It's a colour-shift film that moves warm tones toward cool blues and cyans. The effect varies with exposure and subject, which means results are unpredictable in the best possible way.\u003c\/p\u003e\n\u003cp\u003eThe colour shift is the point. Blues and cyans dominate where you'd normally expect warmer tones, and the effect varies with the subject and the light. Blue skies become orange warm colours turn blue. Skin tones are cool The grain is moderate, the contrast is controlled, and the shifted palette has a quality that looks more like a carefully graded film still than a filter slapped on in post.\u003c\/p\u003e\n\u003cp\u003eAzure wants good light and careful exposure. It's an ISO 125 daylight film with narrow latitude — overexpose and the colour shift fades, underexpose and you get an unflattering green cast. Box speed in bright conditions is the sweet spot. Landscapes, architecture and anything with strong lines and tonal contrast suit it well. It's not a film for every occasion, but for the right subject it produces results you genuinely can't get any other way.\u003c\/p\u003e\n\u003cp\u003eThis is a niche film and it knows it. If you want faithful colour, look elsewhere. But if you want to see a familiar scene rendered in a way you've never seen before, Azure is worth a roll.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"35mm \/ Single","offer_id":46732408783036,"sku":"H-SA125-35-1","price":34.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732408815804,"sku":"H-SA125-120-1","price":28.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/harman-azure-125-35mm-36exp_b1c0b524-d43b-48fd-b537-de5551e64116.png?v=1780059765"},{"product_id":"ilford-fp4-plus-125","title":"Ilford FP4 Plus","description":"\u003cp\u003eFP4 Plus is Ilford's medium-speed black and white film. At ISO 125 it slots between Delta 100 and HP5 Plus, and in practice it borrows from both: finer grain than HP5, wider latitude than Delta 100.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine. Not as fine as Delta 100; this is a conventional emulsion, not a tabular grain film. But fine enough that in 35mm it prints well at normal sizes and in 120 it effectively disappears. It's kind to skin tones, which makes it a strong portrait film, and it renders skies without the texture you'd get from HP5.\u003c\/p\u003e\n\u003cp\u003eWhere FP4 really shines is latitude. It's one of the most forgiving films you can load. Ilford document usable results up to six stops of overexposure, which is exceptional. If you're not sure about your exposure, give it more light rather than less and it will handle it. That makes it a good film to take out for the day when you're shooting outdoors and the light is changing.\u003c\/p\u003e\n\u003cp\u003eIt's not a low-light film. At ISO 125 you need good light or a tripod, and it doesn't push well beyond 400. If you want to keep shooting into the evening, HP5 is the better choice. And if you want the absolute finest grain Ilford makes, Delta 100 or Pan F Plus will beat it. But for a day outdoors in decent light where you want clean, detailed images with latitude to spare, FP4 Plus is hard to beat.\u003c\/p\u003e","brand":"Ilford","offers":[{"title":"35mm \/ Single","offer_id":46837446803644,"sku":"I-FP4-35-1","price":25.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46837446836412,"sku":"I-FP4-120-1","price":22.0,"currency_code":"NZD","in_stock":true},{"title":"4x5 \/ Single","offer_id":46837444051132,"sku":"I-FP4-4x5-1","price":169.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ Bulk 30.5m","offer_id":46894722252988,"sku":"I-FP4-35-BULK","price":349.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/ilford-fp4-125-35mm-36exp_04cdc17c-599a-4f70-85e5-2debedb9e2cc.png?v=1780265895"},{"product_id":"ilford-delta-100","title":"Ilford Delta 100","description":"\u003cp\u003eDelta 100 sits at lowest speed and finest grained “professional” black and white film in the Delta range. It’s a film with a strong lineage going back to the 90s and tweaked in the early years to improve shadow detail. It’s barely been touched since leaving us with a film that has some of the finest grain in any film available, good contrast and wonderful detail.\u003c\/p\u003e\n\u003cp\u003eThose characteristics do come with a note of caution — it is not as forgiving as Ilford FP4 which has a wider latitude, but if you’re a seasoned shooter or you can trust your light meter, the results are worth it. You get stronger contrast and finer detail making it the natural choice for architecture where it renders strong geometric forms well and landscapes with its excellent tonal detail. If there’s enough light a case could be made for street photography, but Delta 400 is a more natural choice here.\u003c\/p\u003e\n\u003cp\u003eIt can also be used for portraiture although many photographers elect to shoot Delta 400 because it has a little more character owing to the increased grain, or FP4 or HP5. But if you’re a landscape or architecture photographer, it’s a hard road ignoring Delta 100. It should be one of the first films to reach for before heading out.\u003c\/p\u003e","brand":"Ilford","offers":[{"title":"35mm \/ Single","offer_id":46732409209020,"sku":"I-D100-35-1","price":25.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732409241788,"sku":"I-D100-120-1","price":24.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ Bulk 30.5m","offer_id":46894722285756,"sku":"I-D100-35-BULK","price":399.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/ilford-delta-100-35mm-36exp.png?v=1779705213"},{"product_id":"kentmere-pan-200","title":"Kentmere Pan 200","description":"\u003cp\u003eKentmere Pan 200 is the newest addition to the Kentmere range. It’s a high contrast black and white film with modest grain. It launched in May 2025 to fill the gap between Pan 100 and Pan 400, and it's not just a split-the-difference compromise. It has its own character.\u003c\/p\u003e\n\u003cp\u003eThe contrast is the first thing you'll notice. This is a punchy film. Blacks are deep, highlights are bright, and there's a graphic quality to the images that you'd normally only get by pushing a lower-contrast stock. With Pan 200 you get that look straight out of the box at normal development. If you like bold black and white with strong tonal separation, this delivers it without extra work.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine for 200 speed and the latitude is wider than the high contrast might suggest. Shadows stay clean and you've got room to be a stop over or under without losing the image. It's also forgiving in the darkroom — Harman designed it to tolerate less-than-perfect processing, which makes it a good choice if you're still learning to develop.\u003c\/p\u003e\n\u003cp\u003eIf you want a cheap roll this is a good choice. Kentmere has always been positioned as the affordable alternative to Ilford's main range, and Pan 200 continues that. If you're shooting a lot of black and white and want to keep costs down without sacrificing too much image quality, it's worth considering. Also available in bulk.\u003c\/p\u003e\n\u003cp\u003eIf you want a contrasty, fine-grained black and white film at a good price, Kentmere Pan 200 should be on your radar.\u003c\/p\u003e","brand":"Kentmere","offers":[{"title":"35mm \/ Single","offer_id":46732409569468,"sku":"K-KM200-35-1","price":17.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732409602236,"sku":"K-KM200-120-1","price":17.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kentmere-pan-200-35mm-36exp.png?v=1779045025"},{"product_id":"kodak-eastman-pro-image-100","title":"Kodak Pro Image 100","description":"\u003cp\u003ePro Image 100 has been in production since the late 1990s, originally made for Asian and South American markets where film sat on warm shelves and waited. Kodak designed it to handle heat and humidity without refrigeration — a practical edge that quietly makes it one of the more travel-friendly colour films you can buy.\u003c\/p\u003e\n\u003cp\u003eAt ISO 100, the grain is fine and contrast sits just on the gentle side of medium. Saturation is balanced which makes it a film that renders scenes honestly. Skin tones look natural, landscapes look like the landscape, and architecture keeps its real colour. It's daylight-balanced and rewards good light, but its latitude is forgiving when you don't quite nail the exposure.\u003c\/p\u003e\n\u003cp\u003eThis is a versatile film with broad use, not narrow specialty. A roll in your bag means you're ready for most things a daytrip or weekend can throw at you. The character is closer to Portra than Gold: restrained, even-handed, and natural, but at a friendlier price than the professional line.\u003c\/p\u003e\n\u003cp\u003eIt's not the film for low light without a tripod, and it won't deliver the saturated, almost-glossy colour Ektar 100 does. But if you want a single colour film that just gets out of the way and lets the scene speak for itself, Pro Image 100 is a strong everyday choice.\u003c\/p\u003e\n\u003cp\u003eKodacolor 100 is the same emulsion under the revived Kodacolor name.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732543951036,"sku":"E-PI100-35-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46732543983804,"sku":"E-PI100-35-5","price":135.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-pro-image-100-35mm-36exp_f8b0b6dc-e418-4814-a95b-433858b385be.png?v=1780135034"},{"product_id":"kodak-eastman-colorplus-200","title":"Kodak ColorPlus 200","description":"\u003cp\u003eColorPlus 200 has been Kodak's affordable colour negative for years; a quiet, unpretentious film that does the job without drawing attention to itself. It started life in price-sensitive markets across Asia and Europe, and it's built a following among photographers who want a reliable everyday film without paying professional prices.\u003c\/p\u003e\n\u003cp\u003eAt ISO 200, the grain is fine and contrast sits in the medium range, which gives images a bit of definition without pushing into punchy territory. Saturation is balanced and natural. This is a film that records the scene rather than interpreting it, and that restraint is what makes it useful across a range of subjects.\u003c\/p\u003e\n\u003cp\u003eThe extra speed over ISO 100 stocks matters in practice. Overcast afternoons, open shade, the tail end of golden hour; situations where a 100-speed film would start to struggle. Its latitude favours overexposure: a stop or two over and you're fine. Underexposure is less forgiving, so when in doubt, give it more light rather than less.\u003c\/p\u003e\n\u003cp\u003eIt's not the film for low light or indoor work, and if you want the warm, saturated look Kodak is known for, Gold 200 is the one. But if you want a dependable colour film at a good price that stays out of the way, ColorPlus 200 does the job well.\u003c\/p\u003e\n\u003cp\u003eKodacolor 200 is the same emulsion under the Eastman Kodak name.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732544082108,"sku":"E-CP200-35-1","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-colorplus-200-35mm-36exp_8f2ba4c6-210f-4a3b-84b1-9f2b432e81bb.png?v=1780142274"},{"product_id":"cinestill-50d","title":"CineStill 50D","description":"\u003cp\u003eIf you're looking for a film that gives a cinematic feel, CineStill 50D is the first place to look. It's derived from Kodak's Vision3 5203 motion picture stock and is daylight balanced at 5500K. That means the colours you see with your eye are how the image is captured. C-41 process, so any colour lab can handle it.\u003c\/p\u003e\n\u003cp\u003eWith an ISO of 50 you get smooth, almost invisible grain and colour that looks unmistakably cinematic. But because it's a slow film with a daylight balance, it has specific conditions where it shines: bright light. In shade or on overcast days the colours will look muted and flat. That's the film honestly representing what your eye sees. Some photographers embrace that for a more subdued, vintage aesthetic, but for most this is a film to save for the good light.\u003c\/p\u003e\n\u003cp\u003eIf you're shooting landscapes where the light is starting to fade, a tripod with a longer exposure can work around the slow speed, but only where you don't need to freeze motion. The halation effect that CineStill is known for (a soft glow around bright light sources) is present but subtler here than on 800T, since you're typically shooting in daylight rather than pointing at neon and streetlamps.\u003c\/p\u003e\n\u003cp\u003eCineStill 50D might not be the most versatile film available, but for daylight portraiture, fine art, and landscapes in good light, it's hard to beat.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"35mm \/ Single","offer_id":46871285334204,"sku":"C-50D-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46871285366972,"sku":"C-50D-120-1","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/cinestill-50d-35mm-36exp_52d65d2f-ebcf-4b94-906c-67705d7b1a36.png?v=1779831938"},{"product_id":"cinestill-400d","title":"CineStill 400D","description":"\u003cp\u003eCineStill 400D (Dynamic) has a key difference from its siblings in the CineStill line: it is not derived from Kodak Vision3 motion picture film like 50D and 800T. It is a new purpose-built film for still photographers.\u003c\/p\u003e\n\u003cp\u003eThis is a film anyone who shoots landscapes, architecture or people should consider. Like Portra and Ektacolor Pro 400 it’s an excellent option to throw into the bag for a weekend away. It’s appropriate for a variety of situations whether the light is bright or dim — at 400 ISO there is plenty of leeway if you’re not sure where or when you’ll be shooting.\u003c\/p\u003e\n\u003cp\u003eLike its siblings — 800T and 50D — it is a low contrast colour film with wide latitude. The colour is slightly muted but it represents colourful scenes well without the strength of Kodak’s Ektar and E100. It does share the CineStill halation — a reddish-orange glow around bright highlights — though it's more controlled here than on 800T.\u003c\/p\u003e\n\u003cp\u003eIf you’re after a professional, versatile colour film, CineStill 400D is a fine choice — one you might keep coming back to.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"35mm \/ Single","offer_id":46874517864636,"sku":"C-400D-35-1","price":45.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46874517897404,"sku":"C-400D-120-1","price":45.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/cinestill-400d-35mm-36exp_a5b16dbe-f3b2-4236-84f3-05618d7184b2.png?v=1779885997"}],"url":"https:\/\/filmco.nz\/collections\/film-landscape.oembed?page=2","provider":"Nelson Film Co","version":"1.0","type":"link"}