{"title":"Film:HighContrast","description":"","products":[{"product_id":"kodak-alaris-tri-x-400","title":"Kodak Tri-X 400","description":"\u003cp\u003eThere are icons. And then there are icons. Tri-X is an iconic film stock. Photo-journalists and street photographers often favoured Kodak Tri-X 400 for its character — grain, contrast and latitude were all characteristics that photographers could rely on. Many iconic images were captured with Tri-X. Many iconic names shot Tri-X: Henri Cartier-Bresson, Robert Frank, Garry Winogrand, Don McCullin and Sebastião Salgado are just a few.\u003c\/p\u003e\n\u003cp\u003eWith that history it’s no surprise that Tri-X has been around in some form since 1940 — first as sheet film and later in 35mm and 120 formats. In 2007 it was refined with finer grain and smoother tonal transitions but maintaining the classic, unmistakable Tri-X character. Tri-X is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eLike most black and white film it's versatile — architecture, portraiture, abstract and landscape photography are all good choices when you have a roll of Tri-X in your camera. But if you're walking around  a city with one roll of black and white, this is the roll.\u003c\/p\u003e\n\u003cp\u003eMost photographers come to Tri-X eventually. It might not be your first roll of black and white — but once you try it, you'll understand why it's endured for over 80 years.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46709147336892,"sku":"A-TX400-35-1","price":33.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709147369660,"sku":"A-TX400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147402428,"sku":"A-TX400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-trix-400-35mm-36exp.png?v=1778491372"},{"product_id":"kodak-eastman-tri-x-400","title":"Kodak Tri-X 400","description":"\u003cp\u003eThere are icons. And then there are icons. Tri-X is an iconic film stock. Photo-journalists and street photographers often favoured Kodak Tri-X 400 for its character — grain, contrast and latitude were all characteristics that photographers could rely on. Many iconic images were captured with Tri-X. Many iconic names shot Tri-X: Henri Cartier-Bresson, Robert Frank, Garry Winogrand, Don McCullin and Sebastião Salgado are just a few.\u003c\/p\u003e\n\u003cp\u003eWith that history it’s no surprise that Tri-X has been around in some form since 1940 — first as sheet film and later in 35mm and 120 formats. In 2007 it was refined with finer grain and smoother tonal transitions but maintaining the classic, unmistakable Tri-X character. Tri-X is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eLike most black and white film it's versatile — architecture, portraiture, abstract and landscape photography are all good choices when you have a roll of Tri-X in your camera. But if you're walking around  a city with one roll of black and white, this is the roll.\u003c\/p\u003e\n\u003cp\u003eMost photographers come to Tri-X eventually. It might not be your first roll of black and white — but once you try it, you'll understand why it's endured for over 80 years.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147533500,"sku":"E-TX400-35-1","price":33.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709147566268,"sku":"E-TX400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147599036,"sku":"E-TX400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-tri-x-400-35mm-36exp_7227c828-623d-40bc-8e59-97a45e4a71a3.png?v=1778492515"},{"product_id":"kodak-alaris-ektar-100","title":"Kodak Ektar 100","description":"\u003cp\u003eKodak Ektar 100 is the colour negative film to reach for when you want the world to look a little bolder than it does in front of you. It is sharp, saturated and clean, with very fine grain and a crispness that suits landscapes, travel, architecture and still life. The Ektar name has been used by Kodak for decades, but the current 100-speed colour negative film was introduced in 2008.\u003c\/p\u003e\n\u003cp\u003eWhere Portra is gentle, Ektar has more bite. Blues are deeper, reds carry more weight and greens can feel almost chrome-like, which is why it is often compared with slide film.\u003c\/p\u003e\n\u003cp\u003eThat punch comes with a little less forgiveness. Ektar likes good light and careful metering. At ISO 100, it is not made for dim rooms or late evenings unless you have a tripod, but in bright daylight it can be exceptional. Expose it well and it rewards you with dense colour, smooth tonal transitions and a modern, almost glossy finish.\u003c\/p\u003e\n\u003cp\u003eIt is not the obvious choice for portraits. Skin tones can run warm or red if the light is unkind, though in the right conditions it can make people look vivid and cinematic.\u003c\/p\u003e\n\u003cp\u003eFor clear skies, road trips, sea views and saturated everyday colour, Ektar is hard to beat.\u003c\/p\u003e","brand":"Kodak Alaris","offers":[{"title":"35mm \/ Single","offer_id":46732407865532,"sku":"A-EK100-35-1","price":47.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732407898300,"sku":"A-EK100-120-1","price":36.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46732407931068,"sku":"A-EK100-120-5","price":165.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-alaris-ektar-100-35mm-36exp.png?v=1779141237"},{"product_id":"kodak-eastman-ektar-100","title":"Kodak Ektar 100","description":"\u003cp\u003eKodak Ektar 100 is the colour negative film to reach for when you want the world to look a little bolder than it does in front of you. It is sharp, saturated and clean, with very fine grain and a crispness that suits landscapes, travel, architecture and still life. The Ektar name has been used by Kodak for decades, but the current 100-speed colour negative film was introduced in 2008. Ektar 100 is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eWhere Portra is gentle, Ektar has more bite. Blues are deeper, reds carry more weight and greens can feel almost chrome-like, which is why it is often compared with slide film.\u003c\/p\u003e\n\u003cp\u003eThat punch comes with a little less forgiveness. Ektar likes good light and careful metering. At ISO 100, it is not made for dim rooms or late evenings unless you have a tripod, but in bright daylight it can be exceptional. Expose it well and it rewards you with dense colour, smooth tonal transitions and a modern, almost glossy finish.\u003c\/p\u003e\n\u003cp\u003eIt is not the obvious choice for portraits. Skin tones can run warm or red if the light is unkind, though in the right conditions it can make people look vivid and cinematic.\u003c\/p\u003e\n\u003cp\u003eFor clear skies, road trips, sea views and saturated everyday colour, Ektar is hard to beat.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732407996604,"sku":"E-EK100-35-1","price":47.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektar-100-35mm-36exp.png?v=1779141197"},{"product_id":"harman-red-125","title":"Harman Red 125","description":"\u003cp\u003eRedscale photography has been around for decades as a DIY technique — photographers would open a cassette in the dark and reload the film backwards so the light hits the red-sensitive layer first. Harman took that idea and made it into a production film. Red 125 is based on the Phoenix 200 emulsion and is only the second factory-made redscale film available, alongside Lomography's Redscale XR.\u003c\/p\u003e\n\u003cp\u003eThe results are unmistakable. Deep reds, burnt oranges and golden yellows replace the normal colour palette, and the look changes dramatically depending on exposure. Give it more light and the palette opens up with yellows and oranges coming through alongside the red. Less light and it deepens into rich, saturated reds. The contrast is high, the grain is textured, and there's halation in the highlights from the Phoenix base emulsion. It's a bold, graphic look.\u003c\/p\u003e\n\u003cp\u003eIt's a film for bright conditions. Landscapes at golden hour, street photography in hard light, architecture with strong shadows — anywhere with good light and strong shapes. It doesn't do subtle and it doesn't do low light. This is a film you reach for when you have a specific look in mind, not one you'd throw in for a day of general shooting.\u003c\/p\u003e\n\u003cp\u003eRed 125 divides opinion. Some photographers love the warmth and drama, others find it too much. But it's a film worth trying at least once — the results are unlike anything else in your fridge and you'll know immediately whether it's for you.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"35mm \/ Single","offer_id":46732408717500,"sku":"H-RED125-35-1","price":34.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732408750268,"sku":"H-RED125-120-1","price":28.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/harman-red-125-35mm-36exp_59d0fdd4-255d-4206-acd7-070381f34bc0.png?v=1780059764"},{"product_id":"kentmere-pan-200","title":"Kentmere Pan 200","description":"\u003cp\u003eKentmere Pan 200 is the newest addition to the Kentmere range. It’s a high contrast black and white film with modest grain. It launched in May 2025 to fill the gap between Pan 100 and Pan 400, and it's not just a split-the-difference compromise. It has its own character.\u003c\/p\u003e\n\u003cp\u003eThe contrast is the first thing you'll notice. This is a punchy film. Blacks are deep, highlights are bright, and there's a graphic quality to the images that you'd normally only get by pushing a lower-contrast stock. With Pan 200 you get that look straight out of the box at normal development. If you like bold black and white with strong tonal separation, this delivers it without extra work.\u003c\/p\u003e\n\u003cp\u003eThe grain is fine for 200 speed and the latitude is wider than the high contrast might suggest. Shadows stay clean and you've got room to be a stop over or under without losing the image. It's also forgiving in the darkroom — Harman designed it to tolerate less-than-perfect processing, which makes it a good choice if you're still learning to develop.\u003c\/p\u003e\n\u003cp\u003eIf you want a cheap roll this is a good choice. Kentmere has always been positioned as the affordable alternative to Ilford's main range, and Pan 200 continues that. If you're shooting a lot of black and white and want to keep costs down without sacrificing too much image quality, it's worth considering. Also available in bulk.\u003c\/p\u003e\n\u003cp\u003eIf you want a contrasty, fine-grained black and white film at a good price, Kentmere Pan 200 should be on your radar.\u003c\/p\u003e","brand":"Kentmere","offers":[{"title":"35mm \/ Single","offer_id":46732409569468,"sku":"K-KM200-35-1","price":17.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732409602236,"sku":"K-KM200-120-1","price":17.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kentmere-pan-200-35mm-36exp.png?v=1779045025"},{"product_id":"harman-phoenix-200-35mm-36exp-expired","title":"Harman Phoenix 200 [Expired]","description":"\u003cp\u003eThe original Harman Phoenix 200 — discontinued in mid-2025 when Phoenix II took its place. This is our last roll, expired March 2026.\u003c\/p\u003e\u003cp\u003ePhoenix was Harman's first colour negative film, and it didn't pretend to be conventional. Heavy halation bleeds warm light around bright areas. Grain is coarse and visible. Colours push warm with strong reds and oranges. It's a film with strong opinions — you either love it or you don't.\u003c\/p\u003e\u003cp\u003eThis roll is two months past its expiry date. Colour negative film is forgiving, and you can expect the character to be intact with perhaps a slight extra warm shift. It has been stored in a cool, dry environment.\u003c\/p\u003e\u003cp\u003eC-41 process. Any lab that develops colour negative film can handle this.\u003c\/p\u003e","brand":"Harman","offers":[{"title":"Default Title","offer_id":46834121638076,"sku":null,"price":25.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/harman-phoenix-colour-200-35mm-36exp_896099d3-b693-47ae-b6bf-0bd6563854a3.png?v=1779063899"},{"product_id":"cinestill-bwxx","title":"CineStill BwXX","description":"\u003cp\u003eIf you’ve ever wondered how you can make your black and white still photography look like Schindler’s List, Raging Bull, Memento or Manhattan then wonder no more — all you need is CineStill’s BwXX. It’s the same Eastman Double-X 5222 emulsion used in dozens of features, respooled by CineStill into 35mm and 120 rolls so it can be processed in ordinary darkroom chemicals. And if you’ve never thought about shooting film that looks like the movies that’s fine too — because this film can do a lot.\u003c\/p\u003e\n\u003cp\u003eBwXX is a film with character. It's punchier than most black and white stocks, with more contrast and more visible grain than you might expect at ISO 250. That grit is part of why it's been a go-to for film directors for decades, and it lends itself well to street photography, architecture and landscapes. For portraiture it's an acquired taste — the prominent grain and high contrast won't suit every subject — but when it works, it works. It's a flexible film that pushes and pulls well and has good latitude. The manufacturer rates it at EI 250 in daylight and EI 200 in tungsten light, but in practice you can rate it at either without any issue.\u003c\/p\u003e\n\u003cp\u003eThis is a film every photographer should try at least once. There’s every chance you'll reach for it again.\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"35mm \/ Single","offer_id":46871285432508,"sku":"C-BWXX-35-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46874548437180,"sku":"C-BWXX-120-1","price":45.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/cinestill-bwxx-35mm-36exp_09d3be14-0ff3-4833-ac32-f923987e9059.png?v=1779889230"}],"url":"https:\/\/filmco.nz\/collections\/film-highcontrast.oembed","provider":"Nelson Film Co","version":"1.0","type":"link"}