{"title":"Film for fixed exposure 35mm cameras","description":"","products":[{"product_id":"kodak-eastman-ektacolor-pro-400","title":"Kodak Ektacolor Pro 400","description":"\u003cp\u003eKodak Ektacolor Pro 400 might be the most versatile of the Ektacolor Pro range simply because it sits between the 160 and 800. If you're not sure what kind of light you'll be dealing with, it's a safe bet. It can comfortably be pushed or pulled 1-2 stops which gives you flexibility if you need it. Indoors or outdoors Ektacolor Pro 400 shines.\u003c\/p\u003e\n\u003cp\u003eIts lineage goes back to Kodak's Vericolor line from the 1970s. When this emulsion was released in 1998 it had a specific target market: weddings and portraiture. It renders all skin tones naturally and became the go-to film for photographers shooting people. If you're a photographer looking for natural colour, fine grain and less saturated film, the Ektacolor Pro line is an easy choice.\u003c\/p\u003e\n\u003cp\u003eIt's a great film to pack for a weekend away if you're not quite sure what you'll shoot. It's versatile. It's not just a film for shooting people.\u003c\/p\u003e\n\u003cp\u003eThis is the same emulsion as Portra 400, sold under the Ektacolor Pro name by Eastman Kodak. If you're likely to be shooting with plenty of available light Ektacolor Pro 160 is a good option. If light is limited or you want a bit more pop in your colours, consider Ektacolor Pro 800.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709146190012,"sku":"E-EP400-35-1","price":47.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 5-pack","offer_id":46709146222780,"sku":"E-EP400-35-5","price":220.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46709146255548,"sku":"E-EP400-120-1","price":45.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709146288316,"sku":"E-EP400-120-5","price":210.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektacolor-pro-400-35mm-36exp_02e19914-aac2-420e-a502-57f33961f808.png?v=1778492504"},{"product_id":"kodak-eastman-ultramax-400","title":"Kodak UltraMax 400","description":"\u003cp\u003eKodak UltraMax 400 is an all-rounder. It’s a wonderful film to take on holidays. It’s good outdoors or indoors and can handle images that are over or under exposed. Under exposure is less forgiving, but for a film where you don’t want to fuss over exposure in social gatherings this is a solid choice.\u003c\/p\u003e\n\u003cp\u003eWhat makes it a good holiday film is how well it does when shooting different subjects — people, buildings, landscapes — it captures them all faithfully. The contrast is crisp, the colours warmish, but this is a daylight balanced film. It’s this balance that makes it a good film for portraiture, architecture and nature.\u003c\/p\u003e\n\u003cp\u003eUltraMax has a strong lineage. Kodacolor VR-G 400 was first released in 1986 rebranded as Kodacolor Gold 400 then as Kodak Gold 400 and has been known as UltraMax since about 2007. It has the same T-GRAIN emulsion technology as Kodak T-Max — the result is grain that is almost identical to its slower sibling — Kodak Gold 200. Genuinely impressive.\u003c\/p\u003e\n\u003cp\u003eWhether you’re a beginner or seasoned photographer, UltraMax deserves its place in your fridge — one day you might want to shoot a roll without fussing over which roll to take around town. UltraMax could be that film.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147173052,"sku":"E-UM400-35-1","price":37.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ 3-pack","offer_id":46709147205820,"sku":"E-UM400-35-3","price":99.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ultramax-400-35mm-36exp_e6b49e68-fdf3-40b4-9bb5-ba3185dbf4a4.png?v=1778492512"},{"product_id":"kodak-eastman-tri-x-400","title":"Kodak Tri-X 400","description":"\u003cp\u003eThere are icons. And then there are icons. Tri-X is an iconic film stock. Photo-journalists and street photographers often favoured Kodak Tri-X 400 for its character — grain, contrast and latitude were all characteristics that photographers could rely on. Many iconic images were captured with Tri-X. Many iconic names shot Tri-X: Henri Cartier-Bresson, Robert Frank, Garry Winogrand, Don McCullin and Sebastião Salgado are just a few.\u003c\/p\u003e\n\u003cp\u003eWith that history it’s no surprise that Tri-X has been around in some form since 1940 — first as sheet film and later in 35mm and 120 formats. In 2007 it was refined with finer grain and smoother tonal transitions but maintaining the classic, unmistakable Tri-X character. Tri-X is available from both Kodak Alaris and Eastman Kodak — same film, same emulsion, different packaging.\u003c\/p\u003e\n\u003cp\u003eLike most black and white film it's versatile — architecture, portraiture, abstract and landscape photography are all good choices when you have a roll of Tri-X in your camera. But if you're walking around  a city with one roll of black and white, this is the roll.\u003c\/p\u003e\n\u003cp\u003eMost photographers come to Tri-X eventually. It might not be your first roll of black and white — but once you try it, you'll understand why it's endured for over 80 years.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46709147533500,"sku":"E-TX400-35-1","price":33.0,"currency_code":"NZD","in_stock":false},{"title":"120 \/ Single","offer_id":46709147566268,"sku":"E-TX400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46709147599036,"sku":"E-TX400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-tri-x-400-35mm-36exp_7227c828-623d-40bc-8e59-97a45e4a71a3.png?v=1778492515"},{"product_id":"kodak-eastman-ektapan-400","title":"Kodak Ektapan 400","description":"\u003cp\u003eEktapan 400 uses the same T-GRAIN technology as Ektapan 100 — flat crystals, fine grain, high sharpness — but at a speed where you can actually shoot handheld.\u003c\/p\u003e\n\u003cp\u003eKodak claims the grain is the finest you'll find at 400 speed. If you're shooting portraits, architecture or documentary work and you want detail in the print without slowing down to ISO 100, this is a good place to start. The contrast is medium and the tones are smooth. It's a clean film.\u003c\/p\u003e\n\u003cp\u003eIt's forgiving too. A stop under and the image holds together with no visible grain penalty. It pushes well if the light drops — you can keep shooting into the evening without changing rolls. The trade-off is that it rewards careful development. HP5 and Tri-X are more relaxed about how you process them.\u003c\/p\u003e\n\u003cp\u003eThis is the same emulsion as T-Max 400, sold under the Ektapan name by Eastman Kodak. The T-GRAIN technology was introduced in 1986 and the 400 was reformulated in 2007, bringing the sharpness up to match the 100. It's a refined film with a long history.\u003c\/p\u003e\n\u003cp\u003eIf you want a 400-speed black and white film where the image is clean and the grain doesn't compete with the subject, Ektapan 400 should be near the top of your list.\u003c\/p\u003e","brand":"Eastman Kodak","offers":[{"title":"35mm \/ Single","offer_id":46732408127676,"sku":"E-EPN400-35-1","price":40.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732408160444,"sku":"E-EPN400-120-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ 5-pack","offer_id":46732408193212,"sku":"E-EPN400-120-5","price":140.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/kodak-eastman-ektapan-400-35mm-36exp.png?v=1779037052"},{"product_id":"ilford-hp5-plus-400","title":"Ilford HP5 Plus 400","description":"\u003cp\u003eSome film has to earn its reputation. HP5 Plus did this in 1976 and built it from there.\u003c\/p\u003e\n\u003cp\u003eIf you're heading out for the day with one roll of black and white and you're not sure what you'll find — changing light, indoors and outdoors, people and places — HP5 Plus is a safe choice. It is fast enough to shoot handheld in most conditions and the latitude is forgiving enough that you don't need to nail the exposure every time. It's a good film to learn on and a good film to come back to. That’s not to say it’s a beginner’s film only — some seasoned photographers shoot HP5 almost exclusively because it is a film that has latitude in the camera and flexibility in the darkroom.\u003c\/p\u003e\n\u003cp\u003eIt has grain. It's a conventional emulsion, not a T-grain film like T-Max, so the grain has a classic, textured quality. In 35mm you'll see it. In 120 it settles down considerably. Whether that grain is a feature or a drawback depends entirely on what you're after. For a lot of photographers it's part of why they reach for this film. If you’re shooting landscapes you will see the grain in the sky.\u003c\/p\u003e\n\u003cp\u003eIt pushes well — up to three stops — so if you're shooting into the evening or in a dimly lit room you can keep going without changing rolls. Contrast and grain increase as you push, but it doesn't fall apart. It's also less contrasty and quite a bit cheaper than Tri-X, which makes it easier to shoot regularly without overthinking it.\u003c\/p\u003e\n\u003cp\u003eIf you're looking for a black and white film you can take anywhere and trust to come back with something good, HP5 Plus should be near the top of your list.\u003c\/p\u003e","brand":"Ilford","offers":[{"title":"35mm \/ Single","offer_id":46732409012412,"sku":"I-HP5-35-1","price":23.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732409045180,"sku":"I-HP5-120-1","price":22.0,"currency_code":"NZD","in_stock":true},{"title":"35mm \/ Bulk 30.5m","offer_id":46894722318524,"sku":"I-HP5-35-BULK","price":279.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/ilford-hp5-400-35mm-36exp.png?v=1779042471"},{"product_id":"ilford-delta-400","title":"Ilford Delta 400","description":"\u003cp\u003eIlford Delta 400 is a ‘professional’ grade film and sits between Delta 100 and 3200. It’s a film with good contrast, nice detail and fine grain. At ISO 400 it’s a versatile film — exposed correctly it can be shot on cloudy and clear days, at midday or dawn\/dusk. Its versatility is not limited to light — it is a jack of all trades suitable for people, landscapes and street photography.\u003c\/p\u003e\n\u003cp\u003eIts contrast doesn’t scream at you. T-Max 400 has more contrast but in prints held side by side it can be hard to see the difference. It can be pushed and pulled but results tend to be better when shot at box speed. If you under or over expose you should be ok a stop either side. HP5 definitely has more latitude so if you’re unsure about your light meter then HP5 is a safer choice.\u003c\/p\u003e\n\u003cp\u003eDelta 400 is a nice film to keep in the fridge ready for a day when you’re after a more refined image than HP5. They complement each other well at 400 ISO.\u003c\/p\u003e","brand":"Ilford","offers":[{"title":"35mm \/ Single","offer_id":46732409274556,"sku":"I-D400-35-1","price":28.0,"currency_code":"NZD","in_stock":true},{"title":"120 \/ Single","offer_id":46732409307324,"sku":"I-D400-120-1","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0760\/8860\/6908\/files\/ilford-delta-400-35mm-36exp.png?v=1779067538"}],"url":"https:\/\/filmco.nz\/collections\/film-for-fixed-exposure-cameras.oembed","provider":"Nelson Film Co","version":"1.0","type":"link"}